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09/10/2016

On the Form and Function of Oil Painting Color

Only those who love the color to appreciate the beauty of color and its inner essence. Color for each person will fully demonstrate her unique charm. The lack of symbolic realism and emotional power can only be a trivial, imitating effect on the form of the color of oil painting, if it lacks the visual accuracy and the symbolism of the touching force, which flows in a poor form; Naturalism; and the lack of structural symbolic content or visual power of the emotional effects will only be limited to the surface of the emotional performance. Each artist will be in accordance with their own oil painting language to find the shape and function of color, which can more perfectly reflect the theme.
When it comes to color has become the expression of the time, it has formed its own color system. Since the Renaissance, Michelangelo, Raphael and other artists are using the sketch to shape the object, then cast some inherent color. From the romantic painter Delacroix to the Impressionist painters are creating a new color.

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The New Impressionist painters turned the color gamut into a color point. They believe that the blending of the pigment will destroy the power of color. These purity of color ideas only in the viewers of the eyes will be blended together. From the Impressionist concept, Cezanne to the development of color form to the logical stage. His task is to make impressionism a "substantial" thing, his work is based on the shape and coloring principle and creation, in addition to his rhythm and the body to do something, but also to abandon the color point of color Color separation techniques, re-use of the internal regulation of the continuous color gamut. In this regard, the conversion of a color means that changes in its well-being, light and dark or fuzzy and strong relationship, so that the whole picture of the color gamut of the regulation of conversion to achieve a new vivid harmony. In Cezanne's still life painting, this new fusion harmony is very obvious. He hopes to shape the natural objects to a higher level. In order to do better, he used a subtle musical effect of the cold and warm contrast.
Matisse resisted color transfer, re-subjective balance to the performance of simple, luminous color gamut. He is one of the Fauvist painters.
Cubist painters, including Picasso, Blake, and others, used colors for their shades of color. They are first interested in the form. They will be the shape of the objective object is broken down into abstract geometric shapes, with shades of gradation to obtain relief-like effect.
Expressionist painters such as Munch are attempting to restore the spirit to the painting. Their creative purpose is to use the form of color and means to express the inner spiritual experience.
Kandinsky believes that each color has its own appropriate performance function, so it may not draw objects in the case of creating meaningful real.
Color through the inspiration of the heart and materials, in order to express the nature of things, while the emotions can be intense impulses. Only after carefully arranged and in line with the artist's strong feelings of color, is the vitality of color. So the artist's talent can make the insignificant subject matter noble and precious. In fact, the color is only a hint, allowing them to illusion to induce the audience to the possession of things, and the artist in this specification within the use of hints and hints to create his works, to impress the audience's mind.
Color is power, that is, the radiation energy that affects us positively or negatively, regardless of whether we perceive it or not. Color effect should not only be in the visual, but also in the psychological and symbolic experience and understanding.